Here you can read about the gear, I use to make my music.

LOWDEN S-25 (2015)

Lowden is a small Irish company that builds some of the finest acoustic guitars today. I’ve been playing Lowden guitars for more than 10 years and at one point owned 5 of them. Today I have settled with just two.

The S-25 is a small-bodied S model with cedar top and rosewood back and sides. It is equipped with a Headway pickup and has been my main guitar for both recording and live concerts for the last 10 years.

I strongly prefer cedar tops as they give the guitar a nice warmth, and the rosewood back and sides gives it a nice crystal-clear tone.

You can hear the S-25 on tracks like “Ouverture” and “The Raven King” and all of my “Summer Jazz” concert.

Read more here:
https://lowdenguitars.com/


NIGEL THORNBORY “SILVERTON” (1996?)

This is a quite rare guitar built by the English luthier Nigel Thornbory sometime in the mid-nineties. Not much information is available about Nigel’s guitars, but it is incredibly well built and quite unique in its design. Apparently, he retired from building guitar some time ago. I didn’t pay a lot of money for this one and it is just as good as my Lowdens.

All his guitars were for some reason named after villages in Devon in southern England. The “Silverton” model was designed together with the British folk-guitarist Ian A. Anderson (not the guy from Jethro Tull), who has also been kind enough to share with me the little I know about the guitar (he own two similar ones). If you know anything about Nigel Thornbory please write to me.

This one is with spruce top and rosewood back and sides. It also has a Headway pickup and when playing concerts, I tend to switch between this one and the S-25 – as they both sounds great amplified.

You can hear the guitar on tracks like “Winter Night” and “King of Denmark”.

You can see Ian’s guitars here: CLICK HERE


LOWDEN F-22 (1996)

This is my other Lowden guitar and I’ve had this one for the longest time. I bought it quite cheap on eBay 15 years ago and when I received it, it was in terrible condition, so I took a long time to get it in playable condition again. The previous owner had done all kinds of strange things to it.

Now it sounds good again and the combination of cedar top and mahogany back and sides with the bigger body size gives it a totally different sound than my other Lowden. It has a much more “woody” sound and a more “American” tone. It also works great in alternative tunings like DADGAD.

It also has a Headway pickup but doesn’t sound as good amplified as the two guitars above, so its primarily a ”recording guitar”.

You can hear it on tracks like “Wordless” and “Evening Star”.


LEON BALLARD BANJO (2015)

I play a 5-string banjo build by the great Leon Ballard of Suffolk Great Britain.

You can hear it on tracks like “The Heron” and “Mr. Morgan”.

http://www.ballardbanjers.com